Sunday, February 24, 2013

2.20.13

On February 20th I listened to The Fat Boys The Fat Boys, Soundgarden Louder Than Love, and The Killers Battle Born.


When I was 13-years-old I thought this album was great and that The Fat Boys were hysterical. Disorderlies, their movie, pretty much squashed the thought that they were funny and listening to this album again definitely killed any thought of it being any kind of good.

Produced by Mr. Eight Million Stories himself, Kurtis Blow needed to reign this album in, but he decided to treat it like a pair of The Fat Boys’ pants and let it out.

The average length of a song is like six minutes and they barely rap for half of each track. It’s all garbage filler! I finally get why my dad hated when I was listening to this album. It’s absolutely grating.

Yet, there’s still a little magic here! Prince Markie Dee, Cool Rock-Ski, and The Human Beatbox (Donuts to Heaven. R.I.P.) were definitely an original and the whole beatbox thing was just so different from everything!

I forgot all about the intro to “Stick ‘Em.” I used to say this all the time, “Y’all hook my mic up please. Make. Kurt, make the bass come out so clear. Please.” I also used to drive most people crazy by randomly breaking out into “BRRRRR! stick ‘em! HA HA HA stick ‘em!” whenever. I don’t think I ever noticed they don’t actually say “BRRRRR! Stick ‘em” in “Stick ‘Em,” but they do in “Human Beatbox?” I dunno, maybe.

"All You Can Eat," is the jam!


I was hoping to walk away from this listen of Louder Than Love with an appreciation for more than “Big Dumb Sex.” I kinda liked “Get On The Snake,” and I definitely remember liking “Full On Kevin’s Mom” for like a hot second back in the day, but this album is a little too muddy for me. 


I would definitely agree that “Runaways” was one of the best songs of 2012, but Battle Born is not one of the best albums. It is one giant single and a bunch of beautifully recorded songs that don't do much.

Look at the royalty that helped The Killers make this album! Steve Lillywhite (Every great U2 album), Brendan O’Brien (Every album made in the 90’s), Daniel Lanois (The Joshua Tree), Alan Moulder (mixed Siamese Dream and The Downward Spiral) and Stuart Price (Madonna and Seal) all came together to craft what should be a classic record!

I think I can find everything wrong with this album in the song “Here With Me.” Brandon Flowers attempts to add weight and beauty to the line “I don’t want your picture on my cell phone, I want you here with me” and it comes off like he’s been attending the Taylor Swift School Of Song Writing. Enroll now! Spring classes start soon!

“Deadlines And Commitments” sounds like a cross between 80’s easy listening and Laura Branigan and maybe that’s what they were shooting for. I dunno, maybe?

I do love The Killers though. Hot Fuss is a masterpiece! Since their debut, they've been good for a hit or two an album and that's more than enough. 

Tomorrow I listen to Sam And Dave Soul Men, Oasis Definitely Maybe, and Tribes Baby.

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