Friday, August 30, 2013

September Playlist - 2013 - The Year Of Music (Limps on!)

See ya later, Summer of 2013! 
The only thing worse than the end of the best fucking season of the year is the endless parade of dipshits that like to say things like, "I can't believe that summer is over already," or "summer really flew by this year." They'll be the same group saying things like, "I can't believe it's dark out so early," or "should I kill myself in a warm tub with some razors or stick my head in the oven?" I'm partial to head in the oven, I even used to own a t-shirt with a picture of a guy with his head in an oven. I love that t-shirt, but I'm way too fucking fat for it. (Oh, by the by, I've deemed September "F-Bomb Month." Sometimes, you just gotta say, "what the fuck?") 


Here I am introducing Taking Back Sunday at Jones Beach, while wearing my "kill yourself" t-shirt.
So, here we are at the end of the first week of September and I'm finally finalizing my playlist for the month. I didn't bother writing up one record in August, took July off and only wrote up half of June. I was too hot. But, as I type this little piece of baloney up, it's a cool 65 degrees out and I'm inspired to write again! Whoopee-dee-fucking-doo, right?

For September, I've decided to listen to a bunch of live albums in addition to the new shit that's out there. Sticking with the new format of two albums a day with weekends off. And cause I waited to the end of the first week to figure out the new shit, the first week was just one album a day. 

Here ya go!

September 3
Talking Heads Stop Making Sense

September 4
The Rolling Stones Get Your Ya-Ya's Out!

September 5
Cheap Trick at Budokan 

September 6
Peter Frampton Frampton Comes Alive!

September 9
Simon & Garfunkel The Concert In Central Park
Nine Inch Nails Hesitation Marks

September 10
Kiss Alive!
The Strypes Snapshot  

September 11
Bruce Springsteen The Rising
Pearl Jam 8/29/00 - Boston, Massachusetts (Bootleg)
"...and the river shall open for the righteous, someday." 

September 12
Johnny Cash At Folsom Prison
The Mavericks In Time (A pick from Barrie's Mom.) 

September 13
Jane's Addiction XXX
Frank Turner Tape Deck Heart

September 16
Thin Lizzy Live And Dangerous
Diarrhea Planet I'm Rich Beyond Your Wildest Dreams  

September 17
The Roots The Roots Come Alive!
Elvis Costello And The Roots Wise Up Ghost

September 18
Jimi Hendrix Live At Monterey 
MGMT MGMT  

September 19
Portishead Roseland NYC Live 
Capital Cities In A Tidal Wave Of Mystery  

September 20
Queen Live At Wembley Stadium 
Jagwar Ma Howlin' 

September 23
The Tragically Hip Live Between Us 
Avenged Sevenfold Hail To The King 

September 24
MC5 Kick Out The Jams
Kings Of Leon Mechanical Bull 

September 25
Elvis Presley Aloha From Hawaii 
Ministry Enjoy The Quiet: Live At Wacken 2012 

September 26
Radiohead - Some Bootleg From Toronto I Have
No Age An Object  

September 27
Parliment P-Funk Earth Tour
Black Joe Lewis Electric Slave  

September 30
Depeche Mode 101
Lorde Pure Heroine 

There ya go. Next month is Rocktober, so I'm thinking about doing something awful and hacky. 

Thursday, August 1, 2013

August Playlist!!!

What are you listening to?
And we're back...

Holy Shit! Is it August already? When did that happen?

I finally got the full Playlist up and we're only six days into the month! Same format as June, only two albums a day and weekends off. Pffffft!

August will focus in on Classic Rock and new shit. 

2013 is really turning into another pathetic year of crap on top of crap, in terms of the new stuff. I blame the Millennials and the fact that they are stupid jerks, who think they're a lot cooler than they actually are. Posting Gifs you didn't make from dumb TV shows on your Cumblr page all day doesn't make you a taste maker. Or maybe it does, I don't know anymore. 

OK! Here it is!


August 1
Led Zeppelin IV
Kanye “Fish Dicks” West Yeezus

August 2
The Rolling Stones Let It Bleed
Filter The Sun Comes Out Tonight

August 5
Queen II
Portugal, The Man Evil Friends

August 6
The Guess Who American Woman
Smith Westerns Soft Will

August 7
Tom Petty & The Heartbreakers You’re Gonna Get It!
Swim Deep Where The Heaven Are We

August 8
Neil Young Harvest
Phosphorescent Muchacho

August 9
Rush Fly By Night
Camera Obscura Desire Lines

August 12
Genesis …And Then There Were Three…
Jaye Z Magna Carta… Holy Grail

August 13
The Kinks Kinda Kinks
Surfer Blood Pythons

August 14
The Who Who’s Next?
The Thermals Desperate Ground

August 15
AC/DC Dirty Deeds Done Dirty Cheap
Iceage You’re Nothing

August 16
Fleetwood Mac Rumours
Goo Goo Dolls Magnetic  

August 19
Van Halen Women And Children First
Palms Palms  

August 20
Creedence Clearwater Revival Green River
John Fogerty Wrote A Song For Everyone

August 21
Boston Boston
Frightened Rabbit Pedestrian Verse 

August 22
The Doors Waiting For The Sun
Iron Maiden The Number Of The Beast 

August 23
Thin Lizzy Bad Reputation
Bastille Bad Blood

August 26
Grand Funk Railroad Closer To Home
The Polyphonic Spree Yes, It’s True

August 27
The Jimi Hendrix Experience Electric Ladyland
Franz Ferdinand Right Thoughts, Right Words, Right Action

August 28
Black Sabbath Paranoid
Black Sabbath 13

August 29
Pink Floyd Wish You Were Here
Okkervil River The Silver Gymnasium

August 30
The Beatles Revolver
(Nobody follows Revolver.)

2013 - The Year Of Music Fun Fact - After I listen to Revolver to wrap up August, I'll have listened to 443 albums this year... so far! 

Saturday, July 6, 2013

Happy Birthday America!


I sure love living in America, or 'Merica which is popular with all the hicks now, it's definitely the best country in the world! Warts and all.

You'd be surprised how patriotic I am. I can't make it threw the anthem at a ball game without crying, or getting choked up a little. Sometimes to fight off such rising emotion due to my undying love of country, I have to employ tricks I've used during sex to stop from cumming. I usually think of a bunch of nuns putting a dozen puppies in a pillow case, whacking them with sticks and throwing them in the river... kills an orgasm and converts patriotic tears to a creepy kind of ambivalence. I don't think I'm using ambivalence correctly, but isn't that what America's all about, lately? Dumbassery. God bless us... everyone.

Speaking of dumbassery, you may have noticed I haven't posted a July Playlist. I decided at the end of June to shitcan July and come back strong with August and then finish up the rest of the year without missing a beat. Quite frankly, it's just too fucking hot and taking May off messed with my mojo and I still have like 20 or 30 days I still need to write up.

I know I started 2013 - The Year Of Music as a way to make myself listen to a shitload of new and old music. To embrace the classics I've tossed off, and rake through the muck of new shit to find the stuff worth my time. And to dump on a lot of crap I can't stand. I think I've listened to something like 360 albums this year. Not bad.

So, I pledge allegiance to the flag of 2013 - The Year Of Music and promise to fill in all the days I didn't do a write up for the music I heard... or as many as I can during the month of July.

I am a Patriot. I love my country. I hate that my nation is divided in so many ways and pray that one day we'll all find a common ground to move the United States Of America forward... together. God bless every man and woman who has died to defend my freedom and to those risking their lives everyday. I believe it was Lisa Simpson who said, "The cost of freedom is eternal vigilance." Right on, Lisa!

I love this song.




Sunday, June 30, 2013

6.10.13

On June 10th I listened to The Tubes The Tubes and Savages Silence Yourself.


I’m pretty sure up until I listened to this album I only knew The Tubes’ 1983 hit “She’s A Beauty,” and I would have been pretty happy with just knowing that.

The only other thing I knew about the tubes going into this album was a story I had heard many years ago from a co-worker. Back in the early 90’s I used to work as a waiter at Uncle Joe’s Diner in beautiful Hamburg, NY. One day while having a smoke break, one of the cooks and I started shooting the shit about concerts and I was telling the cook about the My Life With The Thrill Kill Kult show I had just seen the night before.

While the Thrill Kill Kult were performing their song “Kooler Than Jesus” (I don’t know what they ever had against the letter C, but they sure seemed to have hated it.) a topless young lady resembling Jesus, beard and long brown hair, was paraded out onto the stage. It wasn't until they started affixing her to a giant wood cross that I noticed a dildo was hanging out of her only piece of wardrobe, a rather disgusting looking loincloth. She just kind of hung out there for most of the song and at some point a member of the band went over and began sucking on the dildo. I was with my friend Joe Bagodonuts and I remember leaning over to him and saying, “some people might be offended by that.” He said, “Ya think?”

The cook didn't bat an eye at this story and shared with me an anecdote from a Tubes’ performance she had seen many years before in the late 70’s. Apparently The Tubes were an androgynous bunch that wore extravagant customs on stage and messed around with some pretty lavish theatrics during their performances. To me, sometimes that’s a great indicator that the music blows. Not always.


The cook explained that during the bridge of the first song, the singer nonchalantly walked over to the keyboard player and started to “suck his dick.” This was met with an open mouthed, “Really?” from me.  She confirmed that she saw a dick going into a mouth, but I still remain a little skeptical of that. I don’t think the police would have allowed the Memorial Auditorium to become the scene of a hardcore sex show thank you very much.

So, based on that story and only knowing “She’s A Beauty” I kind of formulated this idea of what I thought The Tubes were all about.

Listening to their self-titled debut record, I couldn't have been more wrong. It’s fucking Prog Rock. I hate Prog Rock.

One minute they sound like Steely Dan, I guess, the next they’re singing in Spanish, and then “White Punks On Dope” doesn't sound half as cool as its name. Plus, there's a weird vibe running throughout this record. It's completely dated, but like from an alternate universe. Everything they're doing sounds like it was hip, but just not on this planet. Does that make any sense? 

Me not liking this album is the epitome of the often too rare occasion when I’m too young to “get it.” 

Unless somebody can convince me otherwise, I won’t be listening to anything from The Tubes again, unless “She’s A Beauty” pops up on my 80’s playlist.

Sorry for all the cocksucking talk in this review… if we can even call it a review.


Speaking of cocksuckers, whoever was responsible for hyping this fucking band should be sent to bed without giving anybody a blowjob.

I started seeing them pop up in NME sometime this spring, so I guess they’re responsible. When I was putting together the June playlist, I saw their debut had just come out and put them on the list. And how they hell did they get the name Savages? Nobody of any note was Savages already?

If it was 1986, I was fifteen, this was my older sister’s band, they practiced in the garage in skimpy tank-tops, and I got to stare at their boobs for an hour a night, then I might be interested in Savages. But it’s not, I’m not, they aren't, they don’t, and there isn't a decent rack between the four of them. They really don’t come across as a particularly feminine bunch. And that’s cool, man.

They got a frog singer who does her best to sound like Karen O. here and there, and she’s got a thing for missing face parts. The band is kind of tight, I really enjoy the sound, but the songs don’t do much for me.

I thought, perhaps, this is one of those bands where the charm is buried in the lyrics. Wickedly thrown bon mots tucked into every verse, cause there’re really no choruses here. Each quip resonating throughout their fanbase like a brutally shared experience.  You know, like when broads start howling during  their favorite lines at an Ani Difranco show? 

“The world’s a dead sorry hole,” was pretty much all that resonated with me. I’m pretty sure “the world” is an analogy for some lady’s vagina, but I’m awful at lyrical interpretation. I don’t think I ever noticed the word “anal” in “analogy.” So, maybe this was a vaginalogy? Get it? No? Too dumb?


Thank you. Good night!

(And Brad Maybe exits the stage to the hum of a million crickets.)

Thursday, June 20, 2013

6.7.13

On June 7th I listened to Slayer Seasons In The Abyss and Primal Scream More Light.


R.I.P. Jeff Hanneman – January 31, 1964 – May 2, 2013.

Jeff wrote some of the best Slayer songs. The title track and opener for Seasons In The Abyss, “War Ensemble,” as well as “Raining Blood,” and “Angel Of Death.”


I’m not the biggest Metal fan in the world, but when I’m in the mood. Slayer is always there.

I haven’t listened to Seasons In The Abyss in while and when I hear it, it reminds me of my friend Kevin Boyce. Kevin is a one of those guys that loves Metal and also has an appreciation for a lot of good music. We used to go around and around about bands, but always had so much common ground it was tough to just dismiss each other’s tastes. He helped me find my inner Metalhead and I’m pretty sure he doesn't give a fuck about anything I ever played for him.

In October of 2003, Kevin and I went to see Slayer at the Roseland Ballroom in New York City. They were being supported by Hatebreed and Arch Enemy. I like one Hatebreed song, and the chick from Arch Enemy made their set entertaining. We watched the openers from the comfort of the balcony with easy access to a bar, but right before Slayer was to take the stage we decided to hit the pit.


I was wearing a red Foo Fighters hoodie and jeans. It was about 150 degrees on the floor and once Slayer started we just set ourselves a drift in the sea of Metal. This is the last time, in my adult life that I’m in a pit of any kind of consequence. The watch I was wearing was lost. A sacrifice to the Gods of Metal, I guess. I was punched in the face a couple of times, I helped up as many people as I knocked down, and I left the show a soaking wet ball of sweat. Afterwards Kevin and I tried to get tattoos down in SoHo but where refused because we didn't have an appointment. So, we hopped in a cab and went to a titty bar, where we ran out on a $500 bar tab. Retribution for my lost $50 watch! Metal, huh?

Oh, and Seasons In The Abyss is fucking perfect.  


I can’t believe I've been listening to Primal Scream for 22 years! I didn't get wind of them until their wonderful 1991 album Screamadelica and have been a half-assed fan every since.  Screamadelica and Give Out But Don’t Give Up are my favorites and “Rocks” from the latter has remained a staple in my mp3 players since the turn of the century. 

Their whole discography is rather spotty to me. I've missed a couple albums here and there, but I really dug 2006’s Riot City Blues. I also chose to ignore Bobby Gillespie’s “political musings.” I’m not even really 100% sure what his deal is, but aren't all the “great” ones crazy?


More Light comes in with a nine minute bang called “2013” which harks back to the 80’s for a horn based pop sound with a pretty epic chorus to match the epic magnitude of the track. I love it!

The following seven minute jam, “River Of Pain,” starts off rather blandly and turns into a movie score/noise mashup that pretty much begs you to skip it or just stop listening to the album. I skip it. 

“Culturecide” is pretty much an ode to Pop Will Eat Itself and doesn't suck, but doesn't really land either. There’s still ten more tracks to go, so I’m not going to bore you or me with a track-by-track here.

To me, Primal Scream has never been a full album kind of band. You cherry pick the good shit and fly through the rest.


“Elimination Blues” is kind of the rest of the good stuff here. “It’s Alright, It’s OK” really wants to be this big number to end the disc and it’s OK, but it’s no anthem. 

Up next... I listen to The Tubes The Tubes and Savages Silence Yourself

Check out the rest of the June Playlist. 

Wednesday, June 19, 2013

6.6.13

On June 6th I listened to Elton John Goodbye Yellow Brick Road and The National Trouble Will Find Me.


I was expecting this album to be a treasure chest filled with all these great Elton John songs that I never heard or haven’t heard since I was a kid. I initially thought that wasn't the case, but I found myself becoming more involved with Goodbye Yellow Brick Road after about three spins.

I could listen to “Bennie And The Jets,” on repeat for a week straight before I’d start to get sick of it.

“She’s got electric boots, a mohair suit… you know I read it in a mag-a-zeeen Ohhhh Hooooo!”

Fuckin’ A! I’m sure it goes without saying that when I was a kid, I thought he was saying she had electric “boobs.” What would you even do with electric boobs? Well, I guess I have an idea. To this day, I have no idea what mohair is.  I don’t even know if I’m spelling it right. Regardless, I have loved this song since I could remember shit. Goodbye Yellow Brick Road came out when I was two!

Where “Bennie And The Jets” was something I have loved since I was a toddler, “Goodbye Yellow Brick Road” is something I grew to appreciate and actually understand. Another song I could listen to a hundred times in a row.

I found my lost gems in “Love Lies Bleeding,” “This Song Has No Title,” “Grey Seal,” “I’ve Seen That Movie Too,” and “Dirty Little Girl.”

And I still haven’t even got to “Saturday Night’s Alright For Fighting.”

I've been meaning to listen to this whole album for too long and I’m glad I finally spent some time with it! Thanks Sir Elton!


I was working for a little indie music rag in 2003 when I walked into the office early one morning to find several of my co-workers having a circle jerk over a copy of The National’s second album Sad Songs For Dirty Lovers.

They weren't ashamed at all and beckoned me to join them. I couldn't! Could I?

I dropped my pants and joined the circle. “What are we doing?” I asked as pulled out my flaccid wiener. “Shhhh,” was all I got from the circle of fully aroused co-workers. I was very uncomfortable, but figured I’d get swept up in the moment soon enough.

One by one, dudes started jizzing all around me. I was still wondering what the attraction was. Was I supposed to be concentrating on the music, or everyone’s euphoric gestures? They all looked and sounded like me… if I was eating a lobster tail. I was still working a wet noodle and just didn't feel like I was a part of the group.

It all ended quickly and everyone went scurrying back to their troll holes. I was left standing there with my soft meat in my hand.

Ten years later and I still feel that way about The National... absolutely nothing.

“Sea Of Love” gives us the utterance of the album's tittle and an apology to some guy named Joe. I'm assuming somebody in the band fucked his girlfriend, or his girlfriend only listens to The National. I expect a full apology on the next album. "Brad, we're sorry for every note."

The National have two speeds and one constant theme. "Slow and boring" or "really slow and boring" and I guess some people are into that. I’m into that sometimes… sometimes, but there're better options, like listening to a fan on low.

Having said all of that, Trouble Will Find Me does have some charm. I found myself getting swept up by "Don't Swallow The Cap" and there's something deeper in the shallowness of "Hard To Find." (Yes, I just wrote that.)

Let me hear a song like "The Last Time," however, and my well-used boxer briefs start wadding up in a bunch deep in my crack. It's less fun for the people in my vicinity, then it is for me.

But, I do promise not to bitch at all when “everyone” picks this to be the album of the year, or if it wins a Grammy.

If I decide to kill myself for any reason, I’ll throw a National reference in my suicide note just to fuck with everyone. “He hated The National,” they’ll all say. Or did I? If one person I know actually spends any time listening to their albums looking for clues, I’d be so happy to know I fucked with someone from the grave. It’ll probably be Barrie. Good luck with that.

Up next... I listen to Slayer and the new one from Primal Scream.

Check out the rest of the June Playlist, if you dare!

Monday, June 10, 2013

6.5.13

On June 5th I listened to “Weird Al” Yankovic Dare To Be Stupid and Daft Punk Random Access Memories.


A few years ago I was in L.A. to produce Grammy coverage for a radio station I was working for in New York City. The Grammys have a media day on the Saturday before the broadcast and a hundred radio stations set up in a big room and wait for big stars and nobodies to drift around and talk to whoever is interested in their bullshit. It’s a long day, but there’s catering and you usually do get a couple cool interviews.

Towards the end of the day, one of the talent wranglers asked me if we’d be interested in “Weird Al” coming over. “FUCKING A!” was all I said and ten minutes later, there he was! I initially thought the two hosts of the show would give me some kind of shit for asking for “Weird Al,” but they were happy to have him. The interview went great and afterwards as we were taking pictures, I was like a little girl meeting that harry cunt from One Direction.

I was 12-years-old when “Weird Al” came into my life with “My Bologna,” “Ricky” and “Another One Rides The Bus.” I loved that somebody was skewering a bunch of songs that I had heard on the radio or watched on MTV way too many times! It was my first lesson in “building up and tearing down,” and I loved it! “Weird Al” was doing it in a G Rated format, but he was having a lot of fun poking at Rock stars.

A year later my mother was busting into my room to tell me to stop listening to “Eat It,” over and over again. “Weird Al” was a big part of my childhood and I followed his career for many years. I love his movie UHF, and still get down to his music once in a while.

Meeting him was definitely a treat and I wanted a cool picture to document the occasion. I've met a few Rock stars in my career and I got sick of boring pictures, so I usually ask if we could do a simple pose to make it more interesting. I told “Weird Al” I’d love to do something fun and asked if he’d pose like he’s really pissed off at me. “Oh, yeah! Definitely!” he said in his “Weird Al” voice. A little pee came out when he said that. The picture is one of my all-time favorites with a Rock star. 



I remember every song on Dare To Be Stupid, even though I may not have heard a lot of them in years. This was probably my last really big hooray with “Weird Al.” I was getting older and by 1985 I still liked him, but I was discovering a world of new music and wasn't sitting in my room listening to his songs on repeat anymore.

The Devo inspired “Dare To Be Stupid” is brilliant! “I Want A New Duck” is still unbearably lame. The Polka medley is inspired! “Like A Surgeon,” and “Yoda” are classics I still think about when I hear “Like A Virgin” and “Lola.” A couple of years ago I tried to eat five McRib sandwiches while listening to “Girls Just Wanna Have Lunch.” 



Dare To Be Stupid is me at puberty! It reminds me of that delicate time in the 80’s when I came of age. I was painfully immature, I just started getting some real pubes, I was a “Weird Al” fan, and I spent a lot of time desperately trying to get hand jobs from 14-year-old girls. Thank you “Weird Al!” You wrote the soundtrack to my burgeoning adulthood!

Here’s a dumb story. In the spring of 1988, I was a junior in high school and two of my best buds where Joe Bagodonuts and Judas Iscariot. (Not THE Judas Iscariot. Two years later he would give my girlfriend crabs, she would give it to me and somehow I would get blamed for catching them in the first place! So, he became known as Judas. Yes, I had crabs once! FUCK YOU!)

Regardless, Joe was only a sophomore and was recently dumped by a senior he was dating. At the time, Joe was a dopey pretty boy and the girl banged him a few times and dumped him in preparation for all the college dick she was going to get the following fall. God bless.

Joe wasn't handling the breakup well and was determined to win “Candice” back! One night while Joe, Judas and I were chilling at Joe’s house on a Friday night, he concocted a plan to make a video to recapture her love. His parents were out for the night, so we drank a few beers and made a set in his bedroom. Joe had a canopy bed in his room and we wrapped the whole thing up with white sheets. We set up the VHS camcorder at the foot of the bed and started shooting.  

In a pair of acid wash jeans, a loose fitting white tank top, and an awful teenage mustache, Joe laid on his bed and lip-synched “Careless Whisper” by Wham! It was fucking priceless! I still see it in my head. He was really selling it too! I believed he was never gonna dance again. He nailed it. The whole thing was touching and fucking hysterical.

I think he did three takes and each one was better than the last. After he was done, Judas decided he wanted to make a video for the pig he was dating. I say she was a pig because two years later, I’m 99% sure she was the source of the crabs that Judas gave to my girlfriend and she gave to me! Pffft! Anyway, Judas lip-synched a moving version of The Righteous Brothers “You've Lost That Loving Feeling,” for his little pig girlfriend. Given the material his video should have turned out a lot better than Joe’s, but his was cringe worthy without the ironic humor. 

I wasn't about to be let out of the whole thing, so I decided to make a video too. I had just broke up with a girl I had started dating that fall and decided for my video I was going to do  “Weird Al” Yankovic’s “One More Minute.” It’s a very moving break up song about all the things a man would rather do than spend one more minute with an awful ex-girlfriend who has already moved on. My favorite line of the song is “I’d rather clean all the bathrooms in Grand Central Station with my tongue, then spend one more minute with you.” Having picked my song, I put a jock strap on my head, hopped onto the bed and fired up the song. Once we got rolling, Joe and Judas started throwing everything in Joe’s room onto the bed. When they ran out of stuff, they started scouring the house and as the song came to its crescendo I was dodging a toaster, all the laundry that was in the dryer, and several two liter bottles of soda. I actually thought the whole thing was hysterical.

We eventually talked Joe out of ever showing “Candice” his video because she already didn't like him and that would definitely make it worse. Regretfully, Joe erased the whole tape and all that brilliance is gone forever! Believe me, if I had the tape it would have been online years ago!



Let me get this straight; a couple of frogs are bringing back Disco and the whole fucking planet is buying into it? Great. I believe it was Harvey Pekar who first opined, "Why does everyone have to be so stupid?" 

Speaking of stupid, here’s how ignorant I am about Daft Punk. I had no idea they guarded their identities like Kiss did back in the day. Apparently, some loser band posted a picture online of the “robots” without their helmets on the other day and it caused a big stink. (Get it? Stink? They're French.) Regardless, who cares? 

Whenever I listen to an unbelievably hyped album like this I think, “what’s the big deal?” The international hit lead single “Get Lucky” is all right, I get it. It's no "Hey Ya!" Am I right? I dunno, maybe? 

The disc's opener is the call to arms! "Give Life Back To Music," might as well  just be called "Disco Or Die." Is this a joke? Am I missing something? “The Game Of Love” and “Within” sound like porno music for robots. Boring robots that leave their socks on, only do it in one position and there's definitely no robutt sex. (HI-OH!)

Why does the album take a nine minute dump on track three? Some old school disco Eye-talian talks about how important disco dancing in Germany was in the 70’s and a jumpy old school synth track builds annoyingly under him. It's no "Everybody Should Wear Sunscreen." Am I right? I dunno, maybe?

After Julian Casablancas embarrasses himself worse than me wearing a jockstrap on my head lip-synching a “Weird Al” song, I wanna quit this record, but skip to the Paul Williams track. It is a delight! "Touch" is like a time capsule dug up from the past when songs were crafted and sang with honest to goodness showmanship. Paul Williams is an American treasure! I love you Little Enos!!!! 

God bless Daft Punk! Apparently they just saved the world from certain destruction and I was standing around going, “what happened?”

Up next... I listen to Elton John and The National